Drag across each frame. Left is the photo the brand sent us, right is what we delivered. The colour, fabric and shape stay exactly as they are. Only the model, the scene and the light change.
Brand work Malek has shot and produced. The same eye for light, styling and composition goes into every creative we build.
A feed of mixed, unmatched photos turned into one styled, consistent brand, with every product lit, set and framed the same way.
Your media buyer doesn't need prettier photos. He needs more of them, every week.
Your product worn or used by AI models with a local look.
Your product in a café, a bedroom, the street, on the beach.
Short video ads in the formats your audience already stops for.
Several backgrounds, angles and openings per product, so there's something real to test.
Exported for feed, stories and reels, ready to upload.
The products or the photos you already have, your best sellers, and who you sell to.
Models, scenes, angles and video for each product. You review the work and tell us what to change.
Split across on-model, lifestyle and video, so your media buyer gets different ads to test, not 50 copies of one.
Every creative starts from your real product photo. The AI builds what's around it: the model, the place, the light, the angle. Before anything is delivered we check the product in each creative against the one in your warehouse. On the call we'll show you samples from your category, so you can judge them the way your customers would.
Yes, and that's the point. Colour, fabric, shape and details stay as they are, so the customer receives what they saw in the ad and your COD returns don't climb. If any detail doesn't match, it's fixed in the review round before you receive the files.
That's why the 50 include on-model images and UGC-style video with a local look, built for this market rather than stock-looking scenes.
You need the winners, and you can't know which they are before you test. In most ad accounts a handful of creatives carries the whole campaign. Fifty gives your media buyer enough variations to find them, instead of betting on ten photos from one shoot day.
Keep them. A designer turns photos into posts. This replaces the shoot that feeds your designer, not the designer.
Nobody can promise a creative will win before it runs. On the call we'll show you samples from your category, look at the ads you're running now, and tell you plainly whether this will move your numbers. If it won't, we'll say so.
It's one fixed price for the whole project, and we go through it on the call. The fair comparison is one shoot's full bill (model, photographer, studio, stylist, retouching) against how many usable ads that shoot actually gave you.
Your products or existing product photos, your best sellers, and a sense of who you sell to. No studio, no model, no shoot day.